[penelope] I can't speak for CdM but no offence was meant. I can't recall if you were around at the time, but about 4 years ago there was a huge hoo-hah at York (possibly even when it was still at York) brought about by there being two polar opposite views about what was and what wasn't acceptable form in a Limerick. This was a particularly ugly episode and one which I, for one, would not like to see repeated. So why make the views public? I can't see anything wrong with gently pointing out that moves are perhaps not quite appropriate for the games in which they are played as long as it's done (a) nicely and (b) rarely. If one feels that, say, a Limerick doesn't have any of the defining features thereof (without there being some point behind the rule-bending, which can sometimes be humorous in its own right), then perhaps this is worth remarking on. I understood the comments about not wanting to get into an argument about just that: let's comment, refute, have Jerry's final thought and move on. But we now seem to have got into an argument about it :) Cup of tea? Rich tea finger?
I guess it comes down to whether you can hear these things or not. Even with the dots, I still find it quite difficult to get the rhythm right; clearly you, pen and the other participants found it less of a strain and so I'll shut up.
No offence was intended, and I apologise, seriously and unreservedly, for causing it. While I disagree with GIII, I will bite my tongue and I won't argue the merits of this particular limerick further; anyway, as rab said, such matters are at part in the ear of the beholder, or the eye of the listener, or something. My posting in part reflected my general feeling that the limericks here and elsewhere have been below average quality over the last few months because several people don't spend enough time thinking about scansion and stress. As a result, I find myself posting less and less to them. The fun in the game is in collectively crafting a well-formed and funny end product; if we are not succeeding in doing that (and more often than not I think we are not), then the fun disappears for me. Others of course disagree, and that's fine.
I should add two things: (1) I am of course as guilty as anyone of the occasional bad line; and (B) I think pen typically contributes some of the very best limerick lines, and so I am particularly sorry that she was in my line of fire.