[Rosie] OK. Why can't you understand that? (PS. I hate to point it out for a third time, but we've already discussedtwice why it isn't like remembering colors! Perhaps you remain unpersuaded?)
[Rosie] Perhaps I can help. I have played guitar and sung in very amateur choirs. so I'm not totally lacking in the ability to hear pitch. But I hear lots of other things at the same time. For example, when tuning a guitar I'm often not sure if two strings are at the same pitch because of the different texture of the sound caused by the make-up and length of the string. The same applies with other occasions. If a man and a woman are singing a duet I could tell you if there was a discord (to my ears), but would struggle to say if they were singing the same note (either an octave apart or exactly) because I cannot separate the pitch of a sound easily from the rest of its character. Also I find it easy to sing a tune (relative pitch), but have no idea whether I'm singing the same notes as on a previous occasion. It seems to me that the ability to keep or hear a tune in your head does not imply that you remember the actual sound (which would imply that perfect pitch should be possible), but rather that you remember a pattern, which you can then apply to the sound when you remember or sing it.
[INJ] Perfectly described. It is the same for me, except that I'm usually better at the octave thing. At a weekly music school, I always impressed the teacher by being extremely quick at identifying intervals, and thus have a good memory for melody in the way you describe. I now find I have to make more cognitive effort to recognise intervals, but then I have learned a lot more about the subtleties of language intonation since then (through drama but also through acquiring more social skills). Which is interesting.
(INJ) Remembering a whole tune would seem to be much more complex than remembering the pitch of a note yet we seems to do it rather well, just as we remember faces rather than any specific physical feature of them. But to me pitch of a tune is an integral part of it and if I hum a tune to myself in the wrong key (because it's easier, say) I still have to assign a key to it.