This is a musical round, with **** **** at the piano. Let's hear your songs, but carefully **** so as to avoid upsetting the ****, **** and **** who might be listening.
DrQu+xum - Don't you **** her madly, don't **** her badly,
Don't you **** her ways, tell me what you ***.
Don't you **** her madly, wanna **** her daddy,
Don't you **** her ways.
Don't you **** her as she's walking out the door.
Like she did one thousand ***** before.
Don't you **** her ways, tell me what you ***.
Don't you **** her as she's walking out the door.
Dujon -
I **** her, yeah, yeah,
I **** her, yeah, yeah,
I **** her, yeah, yeah, yeah!
Chalky - Shapes of ****** before my eyes
Just teach me to ******
Will **** make man more wise?

Here within my own *******
My **** just hurt my *****
But will it seem the same?

Come tomorrow will I be *****?
Come tomorrow maybe a soldier?
Come tomorrow may I be bolder than today

blamelewis - Just wanna ***** the night away,
With senoritas who can ****
penelope -
Hey you! Do you **** me?
I used to **** next to you at school!
Oh, The Darkness... I think I'm hooked.
Wol -
**** on **** and **** on ****;
**** on **** and **** **** ****;
**** **** **** tied up with string;
These are a few of my favourite things.
blamelewis - But I'm a creep, I'm a weirdo
What the hell am I ***ing here?
Tuj - God **** our **** Queen,
God **** our glorious ****
God **** the Queen.
Kimmie -
Oh, my **** is like a red, red ****
That's newly **** in June
Oh, my **** is like a ****
That's sweetly **** in ****
As **** art thou, my bonnie ****,
So deep in **** am I
And I will **** thee still, my dear,
Till all the **** gang ****.
Zooological Keeper - I've been searching for ****
On the streets, in the faces passing by.
I've been searching for ****,
But it's right there in your eyes.
Bob the dog - On the twelfth day of Christmas
my true love sent to me:
12 Drummers ****ming,
Eleven Pipers ***ing,
Ten Lords a ****ing,
Nine Ladies ****ing,
Eight Maids a ****ing,
Seven Swans a ****ming,
Six ***** a Laying,
Five **** Rings!
Four ****ing Birds,
Three French ****,
Two ****le Doves
and a **** **** in a **** ****.
Rosie - Nymphs and shepherds
**** away, **** away.
Nymphs and shepherds
**** away, **** away
****, ****, ****, **** away!
Dujon -

Once a **** swagman ****ed by a billabong
Under the **** of a **** ****
And he **** as he **** and waited 'til his **** boiled
You'll come a ****ing matilda with me

****ing Matilda, ****ing Matilda
You'll come a ****ing Matilda with me
And he **** as he **** and waited 'til his **** boiled
You'll come a ****ing Matilda with me

Rosie -
Some people like to ****
Some people like to ****
Some people like to **** **** **** **** **** **** **** **** ****
Let's have a **** ........forgotten the rest of it :-(
ZK - I like to ****, ****, ****, apples and bananas,
I like to ****, ****, ****, apples and bananas... (The song continues, with each alphabetical variation getting progressively lewder and therefore unsuitable for the pure minds on this forum.)
Kim - You better **** out
you better not ****
you better not ****
I'm telling you why
**** **** is ****ing to ****
He's making a ****
And ****ing it twice
Gonna **** out who's naughty or nice
Santa Claus is ****ing to ****

He knows when you are ****ing
He knows when you're a ****
He knows if you've been **** or ****
So be **** for goodness sake

[Repeat ****]

ZK - **** ****, black sheep,
Have you any ****?
Yes, ****, yes, ****,
Three bags full.
**** for the ****er, and **** for the dame,
And **** for the little **** who ****s down the ****.
Toby -
Bring me my **** of burning ****!
Bring me my **** of desire!
Bring me my ****, oh **** unfold!
Bring me my **** of fire!

I will not cease from **** ****,
Nor shall my **** rest in my hand,
Till we have **** ****,
In ****'s **** and **** ****.
Kim - I could have ****ed all night
I could have ****ed all night
And still have begged for more
I could have **** my ****
And **** a thousand things
I'd never **** before
I'll never know what made it so exciting
When all at once my **** took flight
I only know when he began to **** with me
I could have ****ed, ****ed, ****ed..all night.
Rosie -
Yeah, yeah, yeah
She ***** you
Yeah, yeah, yeah
She ***** you
Yeah, yeah, yeah, yeah!
DrQu+xum - It's time to play the *****,
It's time to ***** the *****,
It's time to raise the ******* on the ****** Show tonight.

It's time to put on ******,
It's time to ***** up right,
It's time to **** the Muppets on the ****** Show tonight.

Why do we always come ****?
I guess we'll never ****.
It's like a kind of torture,
To have to ***** the ****.

*trumpet solo*

And now let's get ****** started.
(crowd)Why don't you get ****** started!
It's time to get ****** started,
On the most *****tional, in********nal, cele*******, Muppet*****al,
This is what we **** the **** Show!

*BLAAAAT!*
DrQu+xum - There is a ***** in New Orleans, they call the Rising ***.
And it's been the **** of every young boy, and God knows I'm ***.

My mother was a ******, she ***** my new blue jeans,
My father was a ******* man, down in New Orleans.

Now the only thing a ******* needs, is a ****case and a **unk.
And the only **** he's satisfied, is when he's all **unk.

Oh Momma, **** your children. Not to do what I have ****;

***** your life in ******* ******. In the House of the Rising ***.
flerdle - Well, since my baby **** me,
I've found a new ***** to *****.
It's down the end of ****** ******
At ********** Hotel.

You make me so ****** baby,
I get so ******,
I get so ******, I could ***.

Chalky -
Last night I said these words to my girl:
"You know you never even try, girl"
Come on [come on], Come on [come on],
Come ON [come on], COME ON! [come on!]
Please **** me, o yeah,
Like I **** you.
plump -
Should auld acquaintance be ****,
And never brought to ****?
Should auld acquaintance be ****,
And auld lang syne?
CHORUS: For auld lang syne, my ****,
For auld lang syne,
We'll tak a cup of **** yet,
For auld lang syne!
And surely ye'll be your ****,
And surely I'll be mine,
And we'll tak a cup o **** yet,
For auld lang syne!
We twa hae **** about the braes,
And pou'd the gowans ****,
But we've wander'd monie a weary fit,
Sin auld lang syne.
We twa hae **** in the burn
Frae morning sun till ****,
But seas between us **** hae ****
And there's a hand my trusty ****,
And gie's a hand o thine,
And we'll tak a right guid-willie ****,
For auld lang sy
DrQu+xum - They're ****ing up the prisoners, and ****ing them in a pen,
  And all she wants to do is *****, *****.
Rebels been ****** since I don't know when,
  And all she wants to do is *****!
******* Cocktail is the local *****,
  And all she wants to do is *****, *****.
They *** them up right, in the kitchen sink,
  And all she wants to do is *****.

Crazy people ****ing 'round with ***** in their eyes,
  And all she wants to do is *****, *****, *****.
Wild-eyed ****** wavers who ain't afraid to ***,
  And all she wants to do is,
    All she wants to do is *****.

And make *******.
Can't feel the ****.
  ***ing off the street.
She wants to *****,
  She wants to **** down,
And all she wants to do is,
  All she wants to do is *****.
nights - How about getting off of these **** How about stopping ****ing when I'm full up How about them transparent dangling ****s How about that ever elusive **** **** you India **** you terror **** you disillusionment **** you frailty **** you consequence **** you **** you silence
nights - dammit no < br>s but you get the idea...
Thrax - We hold these *****s to be self-evident, that all men are created *****, that they are endowed by their ******* with certain *********** *****s, that among these are ****, ******* and the pursuit of *********. --That to secure these rights, **********s are ********** among Men, deriving their just *****s from the consent of the ********, --That whenever any Form of ********** becomes destructive of these ends, it is the Right of the People to ***** or to ******* it, and to institute new **********, laying its ********** on such principles and organizing its ****** in such form, as to them shall seem most likely to effect their Safety and Happiness. ********, indeed, will dictate that **********s long established should not be changed for light and transient causes; and accordingly all experience hath shewn, that mankind are more disposed to ******, while evils are ******able, than to ***** themselves by abolishing the forms to which they are accustomed. But when a long train of abuses and usurpations, pursuing invariably the same Object *****es a design to ****** them under absolute ******ism, it is their right, it is their duty, to ***** off such *********, and to provide new *****s for their future security. --Such has been the patient sufferance of these *****ies; and such is now the necessity which *********s them to alter their former Systems of **********. The history of the present **** of Great Britain [George III] is a history of repeated injuries and usurpations, all having in direct object the establishment of an absolute ******* over these States. To prove this, let ****s be *******ed to a candid *****.
Thrax - Remember when you were young, you ***** like the sun.
Shine on you crazy *******.
Now there’s a **** in your eyes, like black ****s in the sky.
Shine on you crazy *******.
You were ****** on the crossfire of ********* and *******, blown on the ***** ******.
Come on you ****** for faraway ********, come on you ********, you ******, You ******, and shine!
Thrax - One **** to rule them all.
One **** to find them.
One **** to bring them all,
And in the ********, **** them.
Thrax - How do you ***** a ******* like Maria?
Thrax - ****** Night,
**** Night.
All is ****,
All is ******,
***** yon virgin, ****** and *****.
Holy ****** so ***** and ****.
***** in Heavenly *****. ***** in Heavenly *****.
Kim - In the deserts of Sudan, and the gardens of Japan
From Milan to Yucatan, every woman, every man

**** me with your **** ****, **** me, **** me
Je *****, Ich **** dich, **** me, **** me, **** me
**** me with your **** ****, **** me slowly, **** me quick,
**** me,
**** me,
**** me!

Toby - I heard he *** a good ***
I heard he had a style
And so I came to *** him,
To *** for a while
And there he was, this *** boy,
A *** to my eyes

***ing my *** with his fingers
***ing my *** with his ***
***ing me softly with his ***
DrQu+xum - Oh well I'm the type of guy who will never ****** down
Where pretty girls *** well, you know that I'm a*****
I **** 'em and I ****'em 'cause to me they're all the same
I *** 'em and I ******* 'em they don't even know my name
They call me the ******er yeah the ******er
I **** around around around...

Oh well there's Flo on my **** and there's Mary on my *****
And Janie is the girl with that I'll ******* tonight
And when she asks me which one I **** the best
I **** open my ***** I got Rosie on my *****
'Cause I'm the ******er yeah the ******er
I **** around around around....
Grim Reaper - Sharpens ******.
penelope - Do you know the way to *** ****?
No, but I do have an inkling of the route to Mornington Crescent, which is where I think the Grim Reaper was thinking of despatching us :o)
Audience - *shouts, screams, generally goes wild for penelope*
penelope - thank goodness for that, I thought this traffic jam was never-ending.
Tuj - Well ****ed everyone, though.
This is the end of the line. There is no more.