Hello. There's probably not much point telling you about this as the exhibition finished today (sob!) but nevertheless.... On saturday I wandered to Liverpool to go to the Tate gallery there. There was an exhibition on by Janet Cardiff which was truly mindblowing. Is a little bit difficult to explain but it was an audio thing. Thomas Tallis wrote a 40 part motet (unaccmopanied song for 8 choirs of 5 voices each) and Ms Cardiff has recorded this on 40 microphones and it is played through 40 speakers at head height around the edge of the room. So you stand in the middle and get the full picture and then can wander round the room listening to each part. It is wonderful! I'm sure it'll go on to other galleries, so look out for it!
[Lib] Yes - I raved about this in another place back in April. I believe it's going to be at the Whitechapel Gallery, or some such, very soon, and I concur - go see it! [Tuj] His full name is Mordac the Preventer, and he may or may not be a figment of Simons Mith's imagination...
I have several times performed the Tallis in the round - that is, with the eight choirs surrounding the audience. Only then do you get the full sense of the way the music travels through the performers - sometimes working its way round the circle, sometimes bouncing back from side to side. It is a work of the most astounding technical virtuosity - the forty parts are all truly different and independent, yet the resulting complex is very, very nearly entirely free of parallel fifths (a sort of technical shibboleth in Renaissance music) (we found one once, but I can't now recall where it is!). It is said that the piece was conceived to be performed in an octagonal tower in the (long-vanished) Nonsuch Palace, with a choir in a gallery on each side of the tower. (One quibble with the Tate website's description - Spem is hardly a piece of secular music ...)
Wol Breadmaster] I have no idea what you mean ;o) In my artstudent days I composed a piece of music for four suspended washing machine shells. I wired them up with loudspeakers and played through music composed using recorded church bells heavily distorted by volume so that they resonated as they swung. The piece was divided into four movements which progressed from shell to shell. The idea came from a play on the word cycle.
What is it with singers and their puerile witticisms? Sometimes I think all those jokes about sopranos are justified! (Q: How do you put a sparkle in a soprano's eye? A: shine a torch in her ear ...) Sperm in Ovum; Lo, the Full Frontal Sacrifice; O Slap your Glands Together; I mean, they're just not funny, are they? </snigger>
[Boolbar] This means I can now officially support those versions of IE on which this page works properly. Which is probably some sort of oxymoron or something.
With a woof-woof here too. I've just been having a cool glass of my Honey Beer. Why has this page gone all woozy? Your my blest frwend you are . . . . . . .
Change any subject you don't understand, just like BtD did...
Is it me, or are there pretty much two games of face PJs going on here? Yon Centurion Three has a distinct flavour of it. See you've finally got round to shoving all those cryptic crossword clues somewhere ;)
[pen] AArgh, I've done it too! Thanks for reminding me as I'm still in the building where I live so can rectify the situation (and my next port of call is likely to be a changing room at one of the clothing outlets in the monstrosity of the Trafford Centre, so you've reminded me just in time!). *phew! Lib breathes a sigh of relief and mentally appreciates Pen's managerial skills*
The notion of deodorant is academic given my lingering state of insobriety hanging over from last night. Oh dear. One day I will grow up. The amusing thing is, of course, is that I'm about to give a tutorial.