[Darren] I'm currently reviving my interest in playing B-flat cornet, having not really played it for nearly 3 years.
[Rosie] That was what I thought. I might have to get a bit of practice in tonight, and give the old horn a good clean.

(Phil) I hope your lip won't have gone. I wouldn't dare go three days without blowing a few raspberrires down my nine-foot tube. Brass is a treadmill; constant practice just to stand still.

I had that dream again last night - the one where my teeth crumble and fall out. :o(

[Rosie] I was jolly chuffed with my performance as 2nd Cornet. Good news was that my part had nothing above more than an octave above Middle C, so my lip survived with no problems. They've now gone and asked me to join them on Sunday morning to play at various points around the village, traditionally accompanied by hip-flasks. Mr Phil has given permissions, so it looks like I might end up signing up to join permanently in the New Year.

s/Mr/Mrs

(Phil) Shouldn't be too bad. One is expected to get that note on the 'bone (not too often) but the worst thing about it is reading it, being all in bass clef. The rule is that if it's in the stratosphere and on a space it's a C, otherwise it's a B (usually Bb). If it's a D the composer/arranger is not a trombone player. These high notes are far better played by trumpets and cornets anyway. Power to your embouchure. :-)

[Rosie] I used to feel the same when I played violin, and the music dropped off the bottom of the treble stave. I've never been fond of leger lines.

I always get annoyed when a composer writes a bottom B# for a cello. At first sight, this note appears not to be on the instrument.

[rab] It can't happen too often, can it?