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How can anyone live in such temperatures? Minus 34°C for heaven's sake! I am aware that some of our North American friends experience such extremes but I cannot, literally cannot, imagine what it must be like. Add to that the nearly three feet of snow they had in the previous twenty four hours, which would hardly warm one's feet, and I'm ever so pleased I'm not living there.
Brass monkeys
(Dujon) The -34°C is rather mild for Jakutsk in Dec/Jan. The mean is -43°C. There is no wind, or snowfall, but the ground is snow-covered from what fell in Oct/Nov, typically about a foot. The only weather is fog, which can last for a week or more with temperatures down to -51°C, the lowest I've seen in 4 yrs daily monitoring. The short summer is like that of central France and it hardly ever rains. I bet they make the most of it. There is an even colder place, Ojmjakon, where the January mean is -50°C with no weather at all, just brief sunshine while the sun crawls shyly above the horizon for a few hours. Young kids are not allowed out of it goes below -45 because the cold air can damage their lungs. If you were so daft as to put the mouthpiece of a brass instrument to your lips in that degree of cold it would blow more than two semitones flat, the least of your worries, I'd say. Perhaps there's a special short Russian trombone.
Cockup, monickerwise
Why has my name come out wrong? Grr!
Semitones of trombone-flatness
Now there's a metric to trump Degrees Stevie, I do believe.
Flat brass instruments?
What's the science behind that then, Rosie? I would have expected extreme cold weather to reduce the size of the instrument, thus shortening the column of air one needs to vibrate. I would expect this effect to sharpen the instrument.
Flat horns
(Phil) The instrument does get a tiny bit shorter (about 2 mm at -50°C) but the overwhelming effect is the reduction in the speed of sound as the temperature goes down. Since there is a standing wave in the instrument the lower speed causes it to take longer to go down and up the instrument, thus lowering the frequency and therefore the pitch. In effect the instrument becomes longer as far as the standing wave sees it. Of course the player's breath warms it up quite a bit, about halfway beteen ambient and body temperature. Even allowing for this (which I didn't in my original posting), the adjustment is about one inch on the tuning slide for 20 degrees and this is just a bit more than is usually available. So if you're playing outside at 0°C all you could do would be to play "short", as they say. Fortunately I don't do marching bands or Sally Army stuff.
So presumably in old, draughty churches without heating it must be impossible to get accurate tuning for the organ for the same reason.
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