[pen] If that's the definiton of fogeydom, I ascended to it at about the age of 20... but in fariness I suppose one person's 'formulaic' is another's 'inspired'. Has anyone been through the full thought experiment of selecting one's own 8 tracks to be stranded on a desert island with?
(Tuj) 25 in my case. As for Desert Island Discs I'd put a little late 50's pop, a little folk, quite a bit of mainstream jazz and Big Band and some piano pieces by Beethoven and Chopin. Is one allowed non-musical items? If so, I'd include Derek and Clive, top-notch taboo-busting filth. Luxury items a piano and and endless supply of fags.
Mrs Phil & I had a moment a year or two ago when we suddenly realised that we might be embarrassing our children (now aged 20 & 18) by knowing about (and critiquing) the likes of Tinie Tempah, Skepta, Clean Bandit, Royal Blood, Slaves etc etc etc, and also listening to R1 in the car while carrying them and their friends. So we asked them. It turns out we couldn't be further from the truth. We are the envy of their friends, who are sick of their parents listening to Heart / Smooth / Classic FM and saying "all modern pop music sounds the same" etc. Which was nice. I'm very proud to have introduced my children to Clean Bandit, Fidlar, Slaves and Mumford & Sons. I've also fleshed out their musical knowledge with Art of Noise, Bowie, Prince, James Brown, The Colourfield, Coldplay, Faithless and a load of others beyond and between.
Just rediscovering Jethro Tull and filling in the holes in the collection. That follows an intense two and a half month voyage of discovery with Glass Hammer that cost me deep in t' purse. Before Xmas I was collecting and discovering Muse after catching a performance on TV. Before that it was Tangerine Dream on account of all the advice to do so I got. In 1974. And interlaced through it all was an increasing interest in movie soundtracks. The one for The Way is a particularly good find.
[Stevie] I liked Muse - thinking of them as a 'Queen for the noughties' and went as far as forking out for a ticket to see them at Wembley in 2007 when I still lived close by. And now? I can't tell which song is which. They play fabulously at live shows though. Great performances.
Agree about the Muse comments. The last album was derailed by the absurd drill sergeant ranting parts. But when they are good they are excellent. Glass Hammer are a bit of a puzzler. Chronometree is absolutely hysterical and musically brilliant (a prog-rock concept album about a guy who detects messages in his favorite prog-rock albums teling him to form a cult and await the aliens in a field at which point ... ) and they have a rabid following of prog-crazed "real Glass Hammer" fans, yet of the, what, fifteen albums they put out the first half dozen were completely different to each other and ran the gamut of concept story rock albums drawn from the Mabinogion to a live folk concert recorded in The Prancing Pony. I love that. But the rabids want them to sound like Yes 2.0 all the time.